"Rosewood: Endangered species conservation and the rise of global China"

Rosewood: Endangered Species Conservation and the Rise of Global China

Rosewood is the world’s most trafficked endangered species by value, accounting for larger outlays than ivory, rhino horn, and big cats put together. Nearly all rosewood logs are sent to China, fueling a $26 billion market for classically styled furniture. Vast expeditions across Asia and Africa search for the majestic timber, and legions of Chinese ships sail for Madagascar, where rosewood is purchased straight from the forest. The international response has been to interdict the trade, but this misunderstands both the intent and effect of China’s appetite for rosewood, causing social and ecological damage in the process. Drawing on fieldwork in China and Madagascar, Annah Zhu upends the pieties of Western-led conservation, offering a glimpse of what environmentalism and biodiversity protection might look like in a world no longer ruled by the West.

Annah Zhu is an Assistant Professor of environmental globalization at Wageningen University in the Netherlands. She received her PhD in society and environment from the University of California, Berkeley and her Masters in environmental management from Duke University. She is a veteran of the United Nations’ Environment Program in Geneva, and a former Peace Corps volunteer in Madagascar. Her work has been published in Science, Geoforum, Political Geography, Environment International, and American Ethnologist.

Thursday, December 2nd, 2021
3:30 PM — 5:00 PM
University of California, Santa Barbara
Humanities & Social Change Center
Robertson Gymnasium 1000A
Cosponsors: Capps Center for the Study of Ethics, Religion, and Public Life; Department of East Asian Languages and Cultural Studies; Environmental Studies Program
"Make Mars Beautiful: The Aesthetics of Sino-forming in the Chinese Century"

Make Mars Beautiful: The Aesthetics of Sino-forming in the Chinese Century

China plans to send its first manned mission to Mars by 2033, and eventually establish a permanent colony on the planet. Many outside China see this ambitious turn towards space colonization as an attempt to establish global leadership in science and technology. But what is the cultural significance of Mars and Martian colonization for the Chinese? To form a better appreciation for Chinese conceptualizations of the relationship between nature and humanity that will shape the country’s interplanetary future, George Zhu urges us to begin with one of China’s most well known artistic treasures, the Meat Shaped Stone. Making connections across centuries of art, environmental management, and imperial ambition, Zhu outlines a possible future for Mars–and the Earth–in what portends to be the Chinese century.

George Zhu received his master’s in English literature from the University of California Irvine. He is the co-founder of Double Bind Media, a production company specializing in experimental documentary film and other visual media based in Los Angeles and the Netherlands. Currently, he resides in the Netherlands where he develops and produces a range of multidisciplinary new media work. He is also a writer interested in contemporary Chinese culture, environmentalism, endangered species, climate change, and science studies.

Wednesday, December 1st, 2021
1:00 PM — 2:30 PM
University of California, Santa Barbara
Humanities & Social Change Center
Robertson Gymnasium 1000A
Cosponsors: Capps Center for the Study of Ethics, Religion, and Public Life; Department of East Asian Languages and Cultural Studies; Environmental Studies Program
Flyer for "Chinese Language Program, Autumn Festival Tea Time Welcome Party" on 10/22/21 from 2-4PM @ HSSB Courtyard

Tea Time Welcome for Chinese Language Program

Come mingle with your classmates, professors, and new friends!! We will provide delicious snacks, live music performances, a photo booth, and fun games!!

Join us for the Chinese Language Program Autumn Festival Tea Time / Welcome Party!

Friday, Oct. 22 2pm-4pm @HSSB Courtyard

Sponsored by the UCSB Center for Taiwan Studies, Chinese Language Program, and the Department of East Asian Languages and Cultural Studies, with support from our CLP Volunteers, CSSA ICE (International Cultural Exchange) and Jasmin Echo

Chinese calligraphy, black ink on beige paper scroll. The text is of "Preface to Lanting Pavilion Collection" by Wang Xizhi.

Classical Chinese Placement Exam (Fall 2021)

The Classical Chinese placement exam is intended for students who have already studied some Classical Chinese (文言) and would like to skip Chinese 101A and enroll directly in Chinese 101B instead. It is offered once per year, administered by Professor Thomas Mazanec. Please email Prof. Mazanec (mazanec@ucsb.edu) if you are interested in taking this exam.

The test will take place on Tuesday, September 28, 3:30–4:30pm (location to be determined). Prof. Mazanec will provide a short passage in Classical Chinese from a Master’s text (like Mencius 孟子, Zhuangzi 莊子, or Hanfeizi 韓非子) and ask students to translate it into English, focusing on the literal meaning of the words and their grammatical relationship to one another. Students may consult a paper dictionary. Prof. Mazanec will provide several copies of Paul Kroll’s A Student’s Dictionary of Classical and Medieval Chinese for reference.

If this time is impossible for you due to scheduling conflicts, please email Prof. Mazanec by Monday, September 27, to make alternative arrangements.

IHC Funding Award Winners, Winter 2021, orange banner

Yan Liu Wins Interdisciplinary Humanities Center Award

Congratulations to our graduate student Yan Liu for receiving a Visual, Performing, and Media Arts award from the Interdisciplinary Humanities Center for his project “Hong Kong at the Crossroads”!
Here is a description of his project:
Since February 2019, the Anti-Extradition Law Amendment Bill Movement in Hong Kong had continued unabated until the first half of 2020, when the COVID-19 pandemic broke out and a new national security law was passed. The Movement, therefore, has entered a new era. With Hong Kong at the crossroads, protesters have been trying to find out ways to effect political change while abiding by the law. This project intends to produce a documentary that offers the latest and most comprehensive account of Hong Kongers’ experiment with innovative forms of protest and assembly against the renewed backdrop.
Read more about all the IHC graduate awards (which include EALCS-affiliated project Gaming+) here: