Recent News

Screenshot of the webpage for the Audre Lorde Prize on the LGBTQ+ History Association's website.

Prof. Howard Chiang Wins 2026 Audre Lorde Prize

Prof. Howard Chiang recently won the 2026 Audre Lorde Prize for an Outstanding Article in LGBTQ History from the LGBTQ+ History Association, an affiliate of the American Historical Association, for his article, “Hide and Seek: Elmer Belt, Agnes, and the Battle over Castration in Transsexual Surgery, 1953–1962,” Bulletin of the History of Medicine 98, no. 3 (2024): 394–427.

The full citation, which can be found at https://lgbtq-ha.org/prizes/audre-lorde-prize, reads:

Howard Chiang’s deeply researched article makes an important contribution to trans history by shedding new light on the work of urologist Elmer Belt and the cryptorchidism surgical technique he practiced in the 1950s and early 1960s. Making revealing use of Belt’s correspondence, Chiang illustrates how developments in trans medicine were understood and negotiated between doctors and patients and between practitioners of different medical specialities in a particular moment of “transsexual science.” While Belt’s lack of publications later led to his being neglected by historians, Chiang convincingly uncovers “a largely forgotten surgical logic of trans embodiment” and carefully registers the agency of trans patients without obscuring the unequal power relations inherent to the medicalized setting.

Congratulations, Prof. Chiang!

Event: 2026 Symposium on Asian Indigeneity

2026 Symposium on Asian Indigeneity 

(Hosted by the Center for Taiwan Studies and American Indian & Indigenous Studies)

This interdisciplinary symposium brings together emerging scholars whose work highlights the interconnections among Indigenous communities across Asia and the Pacific. Through research on activism, political violence, peacebuilding, and cultural revitalization, the event advances conversations on social justice and the transformative possibilities of Indigenous knowledge and collaboration (RSVP).
 
Date: January 28, 2026
Time: 9:00 AM – 12:30 PM

Speakers
• Yi-Yu (Larry) Lai (University of Hawaiʻi at Mānoa)
• Maisnam Arnapal (UC Santa Barbara)
• Krisharyanto Umbu Deta (UC Santa Barbara)

Moderator
Dr. Maung Ting Nyeu (Gevirtz Graduate School of Education, UCSB)

11/20: Before the Wave: Art Film Culture in Cold War Taiwan

Title: Before the Wave: Art Film Culture in Cold War Taiwan

Speaker: Dr. I-Lin Liu (Chiu Research Fellow in Taiwan Studies, Oregon State University)

Time: November 20 (Thursday), 2:00 – 3:30 PM PST

Zoom Information: https://ucsb.zoom.us/j/84577849664

 

This presentation examines the reception of art cinema discourses and films in Cold War–era Taiwan—a postcolonial developing nation-state that both benefited from and was constrained by the postwar order of Pax Americana. Drawing on transnational and nontheatrical film and media studies approaches, it challenges the conventional historical narrative centered on the 1982 emergence of Taiwan New Cinema (TNC). Prevailing periodizations often dismiss pre-TNC Taiwanese film culture as a cultural wasteland dominated by propaganda, shallow writing, and middlebrow commercialism.

 

By tracing how Taiwanese critics, filmmakers, and bureaucrats engaged with international art cinema discourses, this research reveals that art cinema provided a vital framework for negotiating Taiwan’s postwar political and economic transformations. It highlights how an East Asian authoritarian state not only observed but also actively participated in the development of world cinema. At the same time, it explores how cineastes invoked the idea of art cinema as both aesthetic ideal and political instrument, deploying it to articulate modernity and critique authoritarian governance.

 

For more information, please see: https://taiwancenter.eastasian.ucsb.edu/cts-salon/

Meagan Finlay awarded Interdisciplinary Humanities Center’s dissertation fellowship

Meagan Finlay, a 5th year PhD candidate studying under Professor Katherine Saltzman-Li, has been awarded the Interdisciplinary Humanities Center‘s Dissertation Fellowship for the 2025-2026 cycle. Meagan’s dissertation, “From Early Modern Kabuki Stages to Modern Screens: Production Practice Legacies and the Crafting of National Identity in Japanese Television Period Dramas”, explores the development of the Japanese period drama genre on TV and the ways in which it has carried over certain characteristics and practices from early modern kabuki. In her work, Meagan is heavily engaged with interdisciplinary methods including archival research, interviews, and observation techniques, and draws upon frameworks from Theatre Studies, Media Industry Studies, and Performance Studies. She is looking forward to becoming an IHC Fellow in the fall!